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PAGETURNERS BOOK CLUB

The Coeur d’Alene Public Library Pageturners Book Club meets once a month at 10:15 AM in the Heritage Room. You are welcome to attend as often as you wish and to enter the discussion or just listen. *Dates, titles, and discussion leaders are listed below. Copies of the titles and accompanying discussion questions are available at the Reseaarch and Information Desk.

 

The book club is made possible by a grant from the Friends of the Coeur d’Alene Public Library. Twenty copies of each title to be discussed are purchased with these funds. After the book club discussion the books are bundled along with discussion materials and are made available to other book clubs. Questions? Call or email David Townsend: 208-769-2315 Ext. 426 or This e-mail address is being protected from spambots. You need JavaScript enabled to view it .



Memory Wall Reading Guide PDF Print E-mail
Written by David Townsend   
Monday, 24 October 2011 09:52

(adapted from Simon and Schuster reading guide)



INTRODUCTION

Set on four continents, the five stories collection are about memory, the source of meaning and coherence in our lives, the fragile thread that connects us to ourselves and others. . . . Every story in Memory Wall is a reminder of the grandeur of life—of the mysterious beauty of seeds, of fossils and fish, of clouds and radios and leaves, of the breathtaking fortune of living in this universe.

TOPICS & QUESTIONS FOR DISCUSSION

1. The characters in Anthony Doerr's stories are different ages, live on four different continents, and have diverse life experiences. How are they similar? Which universal themes about memory are contained in each story?

2. In the story "Memory Wall," memories can literally be found in cartridges that are produced at the memory clinic. What other manifestations do memories take throughout the stories, both physical and otherwise?

3. Given the subjective nature of recollections, how accurate or true-to-life do you think the memories that have been implanted in Alma's cartridges are? Do you think the cartridges are ultimately helpful to Alma? Do they bring her happiness? Can the erasure of memories in old age ever be avoided?

4. On page 42 Alma tells Pheko, "To say a person is a happy person or an unhappy person is ridiculous. We are a thousand different kinds of people every hour." Do you agree? Do the various items on Alma's memory wall support her claim? How do the items on Alma's memory wall create a narrative for her life?

6. Alma was perplexed by Harold's interest in fossils, yet she goes to great lengths to hold on to her memories. What do you think drew Harold to the study and collection of fossils? How are fossils like human memories? How does nature as a whole contain remembrances of our collective past?

7. Alma is a product of a society that for generations upheld the laws and prejudices of apartheid. Do you feel any kind of sympathy for Alma? Why or why not?

8. In "Procreate, Generate," both Imogene and Herb desperately want to have a child. In the context of memory, why do you think having a baby is so important to them? Particularly to Imogene?

9. In the soldier's mind in "The Demilitarized Zone," life at home goes on as usual while he is deployed in Korea. How do his impressions of home differ from the reality of his parents' estrangement? How might the soldier's experiences in Korea match up or diverge with his grandfather's memories of his own time there?

10. The planned submersion of the village in "Village 113" promises to obliterate memories of an entire way of life. On page 135, Li Qing writes to his mother, "You don't have to remain loyal to one place all your life." How much does place matter in the keeping of traditions? What are some ways to prevent this destruction of the village's collective memories, even after the dam has been built and its inhabitants have moved away?

11. On page 151 of "Village 113", the seed keeper thinks, "What is a seed if not the purest kind of memory, a link to every generation that has gone before it?" Discuss this metaphor of a seed as a link to the past.

12. What do you think the sturgeon represents in "The River Nemunas"? Why is it so important for Allison to catch one and to convince her grandfather that they can still be found in the river?

13. Esther's epileptic fits in "Afterworld" allow her to revisit the ghosts of her past in the present, prompting her to think that "Maybe not every disease is a deficit, a taking away. Maybe what's happening to her is an opening, a window, a migration." (p. 224) Do you agree? Do you think her spells allow her to finally find closure and move past her survivor's guilt?

14. On the final page of Memory Wall, the author writes, "Every hour, Robert thinks, all over the globe, an infinite number of memories disappear, whole glowing atlases dragged into graves. But during that same hour children are moving about, surveying territory that seems to them entirely new." How does this quote apply to the stories in this collection?

 

“Memory Wall Reading Group Guide.” Simon & Schuster Canada. Simon & Schuster. N.d. Web. 24 Oct 2011. http://books.simonandscchuster.ca/Memory-Wall/Anthony-Doerr/9781439182802/reading_group_guide.

Last Updated on Monday, 24 October 2011 10:11
 
Pageturner Book Club Selections for 2011-12 PDF Print E-mail
Written by David Townsend   
Monday, 24 October 2011 09:43

altWelcome, patrons, to the Coeur d’Alene Public Library Pageturners Book Club. Pageturners Book Club meets on the fourth Wednesday of each month* at 10:15 AM in the Heritage Room. You are welcome to attend as often as you wish and to enter the discussion or just listen. Dates, titles, and discussion leaders are listed below.

 

Copies of the books and accompanying discussion questions are available at the Research and Information desk. Check the web site for updated information: www.cdalibrary.org. Questions? Call or e-mail David Townsend: 769-2315, ext. 426  This e-mail address is being protected from spambots. You need JavaScript enabled to view it .  

 

Date      Title/Author      Discussion Leader      Genre

               

Nov. 17  Memory Wall, Anthony Doerr      Fran Bahr      Fiction

 

*December      No Book

 

Jan. 25       Where Men Win Glory, Jon Krakauer       Lloyd Duman      Nonfiction                                                                                                                      

Feb. 22     Little Heathens, Mildred Kalish      Denise Clark      Nonfiction   

                                             

March 28      Oranges, John McPhee      George Ives      Nonfiction          

                                                                                               

April 25      The Lost Painting, Jonathan Harr      Virginia Johnson      Nonfiction

                                                                                                              

May 23      The Man Who Mistook His Wife for a Hat, Oliver Sacks      Ernie Fokes      Nonfiction

                         

June 27            Summer reading: Best Beach Read               Club Members            

                       

July 25      Brideshead Revisited, Evelyn Waugh      Patrick Query      Fiction                                                                                                                

Aug. 22      In the Garden of the Beasts, Erik Larsen      Beverly Moss      Nonfiction

 

Sept. 26  Fahrenheit 451, Ray Bradbury      David Townsend      Science Fiction                                                                                                                                              

Oct. 24      Title by the Idaho Humanities Council Distinguished Lecturer

Last Updated on Thursday, 10 November 2011 08:55
 
QUESTIONS FOR TO KILL A MOCKINGBIRD by Harper Lee PDF Print E-mail
Written by David Townsend   
Thursday, 06 October 2011 10:05

(READING REFLECTIONS FOR PAGETURNER READERS)

  1.  When did you first read TKM?  How was re-reading it different from your first experience with the book?  How do you account for this?
  2.  There are a number of plot lines: the Boo Radley story, the Tom Robinson case, the maturing of Jem and of Scout.  Has Harper Lee created an adequately unified story?  If so, what gives unity to her novel?
  3.  Young readers are often bored by Chapter 24, the missionary tea.  What is Lee's purpose in this chapter?
  4.  Compare/contrast TKM to The Adventures of Huckleberry Finn and Montana 1948. 
  5.  There has been speculation that Harper Lee was influenced by the 1930’s Scottsboro Boys case.  What do you know about this case?
  6.  Admiration of Atticus's defense of Tom Robinson inspired a whole generation of future lawyers.  Others, however, see his actions differently and have criticized him for not objecting to the prosecutor's open racism, for appealing to class prejudice in his questioning of Mayella on the witness stand,  and for generally going along with the times.--  Calpurnia rides in the back seat when he drives her home, he isn't sure if women should be on juries, he doesn't think the KKK is very threatening, etc.  How do you judge this character that has become an icon in our culture?
  7.  #8 on the Four Season in Rome list:  Find a particular passage that moves, interests, puzzles, or even offends you that you would be willing to share with the group.(Thank you Fran Bahr for this very fine investigative guide).
  8.  The much acclaimed movie TKM omits Uncle Jack, Aunt Alexandra, the two school teachers, Dolphus Raymond and  Link Deas.  What is the significance of these characters in the novel?(I must admit Gregory Peck is Atticus in my mental images of the novel).
  9.  What insight does Harper Lee offer into the times? into prejudice?  What relevancy does the book have to America in 2011?
  10. Of the many themes in the book, which one or ones do you want to bring to our discussion together?  EDUCATION, RELIGION, RACISM, COMING OF AGE,YOUTH, MORALITY & ETHICS, JUSTICE & JUDGEMENT, FEAR, FAMILY , COMPASSION & FORGIVENESS, INNOCENCE.

The Pageturners Library Book Club will discuss this book on Wednesday, Oct. 26, at 10:15 a.m. in the Community Room. Discussions are open to all adult readers. There is no charge and no registration.

Last Updated on Thursday, 06 October 2011 10:06
 
Discussion Information For "Salt" - Aug. 31 PDF Print E-mail
Written by David Townsend   
Monday, 25 July 2011 13:15

From the Author’s Web-site

Mark Kurlansky was born in Hartford, Connecticut.  After receiving a BA in Theater from Butler University in 1970, and refusing to serve in the military, Kurlansky worked in New York as a playwright, having a number of off-off Broadway productions, and as a playwright-in-residence at Brooklyn College. He won the 1972 Earplay award for best radio play of the year.

He worked many other jobs including as a commercial fisherman, a dock worker, a paralegal, a cook, and a pastry chef.

In the mid-1970s, unhappy with the direction New York Theater was taking, he turned to journalism; an early interest–he had been an editor on his high school newspaper.  From 1976 to 1991 he worked as a foreign correspondent for The International Herald Tribune, The Chicago Tribune, The Miami Herald, and The Philadelphia Inquirer. Based in Paris and then Mexico, he reported on Europe, West Africa, Southeast Asia, Central America, Latin America and the Caribbean.

His articles have appeared in a wide variety of newspapers and magazines, including The International Herald Tribune, The Philadelphia Inquirer, The Miami Herald, The Chicago Tribune, The Los Angeles Times, Time Magazine, Partisan Review, Harper’s, New York Times Sunday Magazine, Audubon Magazine, Food & Wine, Gourmet, Bon Apetit and Parade.

In addition to numerous guest lectures at Columbia University School of Journalism, Yale University, Colby College, Grinnell College, the University of Dayton and various other schools, he has taught a two week creative writing class in Assisi, Italy, a one week intensive non-fiction workshop in Devon, England for the Arvon Foundation, and has guest lectured all over the world on history, writing, environmental issues, and other subjects.  In Spring 2007 he was the Harman writer-in-residence at Baruch College teaching a fourteen week honors course titled “Journalism and the Literary Imagination.” His books have been translated into twenty-five languages and he often illustrates them himself.

            He has had 23 books published including fiction, nonfiction, and children's books

 

Among the awards he has received are:

 ■ 2011 National Parenting Publications Awards-- gold award for World Without Fish

 2007 Dayton Literary Peace Prize for Nonviolence

■ 2007 Doctor of Letters, Butler University

■ 2006 Bon Apetit Magazine’s Food Writer of the Year.

■ Cod received the 1999 James Beard Award for Food Writing and the 1999 Glenfiddich Award

■ The children’s book, The Cod’s Tale, received the Orbis Pictus award from the National Council of Teachers of English.

■ The children’s book, The Story of Salt, received the ALA Notable Book Award

■ A Continent of Islands and Cod both received The New York Public Library Best Books of the Year Award

■ Salt received the Pluma Plata award from the Bilbao Book Fair and was a finalist for the LA Times Science Writing Award and the James Beard food writing award.

 

Mark Kurlansky was born in Hartford, Connecticut.  After receiving a BA in Theater from Butler University in 1970, and refusing to serve in the military, Kurlansky worked in New York as a playwright, having a number of off-off Broadway productions, and as a playwright-in-residence at Brooklyn College. He won the 1972 Earplay award for best radio play of the year.

 

He worked many other jobs including as a commercial fisherman, a dock worker, a paralegal, a cook, and a pastry chef.

 

In the mid-1970s, unhappy with the direction New York Theater was taking, he turned to journalism, an early interest–he had been an editor on his high school newspaper.  From 1976 to 1991 he worked as a  foreign correspondent for The International Herald Tribune, The Chicago Tribune, The Miami Herald, The Philadelphia Inquirer. Based in Paris and then Mexico, he reported on Europe, West Africa, Southeast Asia, Central America, Latin America and the Caribbean.

 

 

His articles have appeared in a wide variety of newspapers and magazines, including The International Herald Tribune, The Philadelphia Inquirer, The Miami Herald, The Chicago Tribune, The Los Angeles Times, Time Magazine, Partisan Review, Harper’s, New York Times Sunday Magazine, Audubon Magazine, Food & Wine, Gourmet, Bon Apetit and Parade.

 

In addition to numerous guest lectures at Columbia University School of Journalism, Yale University, Colby College, Grinnell College, the University of Dayton and various other schools, he has taught a two week creative writing class in Assisi, Italy, a one week intensive non-fiction workshop in Devon, England for the Arvon Foundation, and has guest lectured all over the world on history, writing, environmental issues, and other subjects.  In Spring 2007 he was the Harman writer-in-residence at Baruch College teaching a fourteen week honors course titled “Journalism and the Literary Imagination.” His books have been translated into twenty-five languages and he often illustrates them himself.

            He has had 23 books published including fiction, nonfiction, and children's books

 

Among the awards he has received are:

 ■ 2011 National Parenting Publications Awards-- gold award for World Without Fish

 2007 Dayton Literary Peace Prize for Nonviolence

■ 2007 Doctor of Letters, Butler University

■ 2006 Bon Apetit Magazine’s Food Writer of the Year.

■ 2001 Basque Hall of Fame

■ 2001 Honorary ambassadorship from the Basque government    

■ Cod received the 1999 James Beard Award for Food Writing and the 1999 Glenfiddich Award

■ The children’s book, The Cod’s Tale, received the Orbis Pictus award from the National Council of Teachers of English.

■ The children’s book, The Story of Salt, received the ALA Notable Book Award

■ A Continent of Islands and Cod both received The New York Public Library Best Books of the Year Award

■ Salt received the Pluma Plata award from the Bilbao Book Fair and was a finalist for the LA Times Science Writing Award and the James Beard food writing award.

■ 1968 received the ALA Notable Book Award

Review from The Observer (the Guardian Co. UK )  Robert MacFarlane 1/20/2002

Salt: A World History

Mark Kurlansky

Jonathan Cape £17.99, pp484

Commodity history has been the boom genre of non-fiction over the past decade. There have been histories written of the potato (twice), sugar (twice), coffee (thrice), gold (twice), jade, porcelain (splendidly, once), various dyes (mauve, indigo), nutmeg and sundry other spices. At their worst, these commodity histories are complacent annals of consumption; at their best, they up-end our ideas of history's motive forces.

The American food writer and journalist Mark Kurlansky gained fame with the fine Cod: The Biography of a Fish (1997), and in Cod are to be found the grains of Salt, his huge and hugely impressive new book. It was in Cod that Kurlansky first wrote of the 'perfect marriage' between salt and fish, and of how salt could shape history, citing how the Basques' discovery of the preservative properties of salt allowed them to sail further afield even than the Vikings.

Kurlansky's new book is subtitled A World History, and it is one of the few commodity histories to merit such a moniker, because salt isn't just a seasoning, it's a life substance, vital to the proper functioning of the human body. For as long as there have been humans, they've had to find or create salt to live. The history of salt is the history of humanity.

Second only to salt's physiological importance has been its use as a food preservative. It was the only way of decelerating putrefaction until technological advances in the twentieth century, notably the fast-freezing method pioneered by American eccentric Clarence Birdseye, but it remains intrinsic to our lives. Contemporary industry pundits claim salt has more than 14,000 uses.

Every piece of evidence in this book is arranged to point to salt as an agency of enormous power. It has determined the geography of warfare, urban growth (almost all Italian cities were built near a saltworks) and most of the world's trade routes. Kurlansky even links the 'whimsical, non-geometric' pattern of North America's secondary roads to salt: 'The roads are simply widened footpaths and trails... originally cut by animals looking for salt.' These are the salt-lines of history, invisible on a map but brought beautifully to light by Kurlansky.

The book is broadly chronological. We begin at a saltworks in ancient China and end nearly 500 pages later amid the health wars over salt in the twenty-first century. Along the way, the reader is rewarded with superb thumbnail histories of the world's main civilisations; digressions into ketchup, chilli pepper, olives, embalming techniques, pickling and mustard gas; dozens of salty recipes; a beautiful little essay on Matisse, fauvism and anchovy fishermen.

Kurlansky is especially good on the metaphysics of salt, its metaphoric connotations and its religious significances. He draws our attention to the unrecognised ways in which salt has crystallised into our language. Salad is so named because the Romans liked to salt their vegetables. Salacious is from the Latin salax, meaning a man in love: literally, 'in the salted state'. The Roman army paid its soldiers in salt: thus the word salary and, indeed, soldier. And thus 'to be worth your salt', to earn your pay.

If there is a downside to Salt, it's that it lacks the bite of Cod. Cod was the product of a highly sensitive ecological imagination. Infused with a sadness for the passing of the cod, that book was a heartfelt elegy. Kurlansky's latest lacks this unifying attitude and occasionally lapses into a recital of statistics and factoids. Salt is at its very best when it is peppery: there is, for instance, a brilliant and acrimonious chapter on the British salt laws in India and Gandhi's now famous salt march to the Gujarat coast.

This is several books in one: a food history, a recipe book, a travelogue and a cultural history. It contains images which will abide with you: the body of a Bavarian salt miner prised from collapsed salt caves centuries after his death, for instance, perfectly preserved right down to the bright colours of his clothes. It is also stylishly written and wonderfully learned, covering a vast geographical and historical acreage. William Blake famously suggested that the world was to be seen in a grain of sand; Kurlansky has seen it in a grain of salt.

DISCUSSION POINTS

  • What did you expect of this book? Did you finish it?
  • Have you ever read a similar book, focused solely on a commodity’s influence on history or human behaviors? Would this book make you more or less likely to read such a book?
  • What did you learn that you didn’t know before? Did this new knowledge make the book more enjoyable?
  • Did you find the information well laid-out and easy to follow? What would have improved the presentation of facts and history?
  • What were the resources necessary for large-scale production of salt? How were they depleted and what were the effects?
  • How did transportation costs influence the value of any particular salt source? Did the availability of salt, in turn, effect transportation?
  • How did ancient civilizations “add-value” to their salt as a trade good?
  • Did you know how essential salt is to life and as a strategic need in war throughout history?
  • What is your opinion of the history of trade protections various countries and civilizations have had for “their” salt? Can you think of any similar protections currently in place in the US?

Other Kurlansky books I have read:

Cod: A Biography of the Fish that Changed the World      A history of the cod fishery in the North Atlantic

The Big Oyster: History on the Half Shell                                               A history of the oyster fishery in New York City Harbor through its demise in the 1930’s

A book for “foodies”:

Heat [An amateur‘s adventures as kitchen slave, line cook, pasta-maker, and apprentice to a Dante-quoting butcher in Tuscany] by Bill Buford                           An author’s opportunity to work under “Iron Chef” Mario Batali’s New York restaurant to research a magazine article turns into a Europe-wide pursuit of cooking history.

 

Last Updated on Monday, 25 July 2011 13:17
 
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